Trap, Drill or Afrobeats? A Field Guide to Modern Genres


Genre is a shortcut, not a cage
Nobody sits down thinking, "today I will make a drill song." You hear a beat, you feel something, you write. But knowing the vocabulary helps you find beats faster and understand what other artists are doing.
Trap
Skittering hi-hats, booming 808s, tempo around 140 BPM but the vocals sit at half that. Vocals are usually laid back, melodic, occasionally sung. Try Trap if you want to hover between rapping and singing.
Drill
UK and Brooklyn drill share sliding 808s and a darker, more aggressive mood than trap. Delivery is percussive and clipped. Great for artists who want to rap without necessarily singing.
Afrobeats
Warm, syncopated percussion, melodic bass, tempos usually 100–115. Vocals lean melodic and rhythmic at once. Afrobeats rewards a light, playful voice with confident phrasing.
Reggaeton
The dembow rhythm — that iconic two-and-a-half snare pattern — is the DNA. Vocals sit right on the beat, playful and rhythmic. Perfect for hooks that people can chant.
Lo-Fi & bedroom pop
Slow, dusty drums, muted piano or guitar loops, tempo 70–90. Vocals are close, quiet, honest. Ideal if you'd rather whisper than shout.
EDM & House
4/4 kick every beat, energy that keeps rising. Vocals are usually short, catchy phrases repeated over drops. Think of your voice as another synth.
R&B
Wide chords, spacious drums, mid-tempo. R&B rewards vocal runs, harmonies, and space. Volmix's stacking and 3D FX are especially fun here.
How to actually use this
Browse the Volmix beat library and, before you name what you're making, just find a beat you can't stop nodding to. The genre label sorts itself out later.

Marco Vidal
Marco has produced and mixed records for fifteen years, from bedroom demos to chart singles. He writes about beats, sound design and mixing — always with real numbers and zero mystery-making.
All articles by Marco Vidal